Thrilled to have received the opportunity to run lighting in the West End of London for the first time, in the Palladium no less. Working on a Tina Turner tribute show called What's Love Got To Do With It. Used the house rig at the Palladium - 11 universes over sACN - and a handful of lights that were brought on the tour as a ground package.

Running on an Avolites Tiger Touch II lighting desk with additional fader wing.

Another year running the sound for the Haverhill Arts Centre pantomime, this year we put on Beauty and the Beast. For the panto run I took the role of sound designer, mixing line-by-line for each show. For the production we used 14 radio mics and had two musicians on keys and drums.

I was asked back to run another Queen of the Night show at the Brighton Centre. This was a full touring venue, giving us an empty shell to put a full PA and lighting package into.

I ran an Avolites Tiger Touch II lighting desk.

One of the events I ran at Milsoms Kesgrave Hall was a gala dinner. I acted as a basic stage manager and inhouse technician for the event; running the video display, the basic lighting states, camera PTZ, and helping the band tie into the house system - though I ended up mixing them as well when they started playing, as it turned out their sound engineer was a member of the band.

I used an in-house QU24 (and the band via a Behringer mixer and the Mixing Station app), and an Infinity Chimp lighting console.

Once again running the lighting for Haverhill in the Park (HITP), I was able to further improve the design and execution of the lighting for the festival. For this one I had a few more lights, managing to get a range more LED battens to run around the inner truss.

I ran an Avolites Tiger Touch II lighting desk.

Working with production company East Anglia Leisure, I was given the opportunity to run the lighting for a Whitney Houston tribute called Queen of the Night to a sold out Milton Keynes Theatre.

I ran an Avolites Tiger Touch II lighting desk.

My second year running, I was the sound designer for the Haverhill Arts Centre pantomime. 14 radio mics and two musicians on keys and drums. I also took multitrack recordings of each show to mix later for marketing usage.

For my second year running the lighting at Haverhill in the Park (HITP) - and a second year proving myself running gigs at the Haverhill Arts Centre as part of the Haverhill Town Council - I was able to be more involved in the planning process and have more creative freedom with the lighting design. I was able to use the experience from the previous year to make improvements to the design and execution of the lighting for the festival. As to be expected, I was limited by the budget that was given to a free family festival run by the council, but despite that I was still able to make a spectacular light show for the weekend.

I ran an Avolites Tiger Touch II lighting desk.

As part of my employment with Haverhill Town Concil, I ran the sound for the pantomime at the Haverhill Arts Centre. For the panto run I took the role of sound designer, mixing line-by-line for each show. For the production we used 14 radio mics and had two musicians on keys and drums.

My first year working for Haverhill Town Council I was given the opportunity to run the lighting for Haverhill in the Park (HITP), a free music festival held in the town. Under guidance of the project manager I was able to emulate and use the focus from the previous year and work on my first high-profile festival.

I ran an Avolites Tiger Touch II lighting desk.